Ronald Reagan: "Quiet Men Cut Fingernails" -

Transcript

“Let us be aware that while they preach the supremacy of the state, declare its omnipotence over individual man, and predict its eventual domination of all peoples on the Earth, they are the focus of evil in the modern world.

It was C. S. Lewis who, in his unforgettable ”Screwtape Letters”, wrote: “The greatest evil is not done now in those sordid `dens of crime’ that Dickens loved to paint. It is not even done in concentration camps and labor camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried and minuted) in clear, carpeted, warmed, and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voice.” Well, because these “quiet men” do not “raise their voices,” because they sometimes speak in soothing tones of brotherhood and peace, because, like other dictators before them, they’re always making “their final territorial demand,” some would have us accept them at their word and accommodate ourselves to their aggressive impulses. But if history teaches anything, it teaches that simple-minded appeasement or wishful thinking about our adversaries is folly. It means the betrayal of our past, the squandering of our freedom.

So, I urge you to speak out against those who would place the United States in a position of military and moral inferiority. You know, I’ve always believed that old Screwtape reserved his best efforts for those of you in the church. So, in your discussions of the nuclear freeze proposals, I urge you to beware the temptation of pride — the temptation of blithely declaring yourselves above it all and label both sides equally at fault, to ignore the facts of history and the aggressive impulses of an evil empire, to simply call the arms race a giant misunderstanding and thereby remove yourself from the struggle between right and wrong and good and evil.

From Letter VII “Screw Tape Letter by C.S. Lewis”

After the second letter, the Patient converts to Christianity, and Wormwood is chastised for allowing this. A striking contrast is formed between Wormwood and Screwtape during the rest of the book, wherein Wormwood is depicted through Screwtape’s letters as anxious to tempt his patient into extravagantly wicked and deplorable sins, often recklessly, while Screwtape takes a more subtle stance, as in Letter XII, wherein he remarks: